μ§€κ΅¬μ—μ„œ 온 μ†Œλ¦¬λ“€ | Sounds from Earth Workshop @ Bottle Factory

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μ΄ˆλŒ€ν•©λ‹ˆλ‹€!
<μ§€κ΅¬μ—μ„œ 온 μ†Œλ¦¬λ“€>은 κ°„λ‹¨ν•œ μ „μžμž₯치λ₯Ό μ΄μš©ν•˜μ—¬ 캐릭터λ₯Ό κ΅¬ν˜„ν•˜λŠ” λ‘€-ν”Œλ ˆμž‰μœΌλ‘œ 세계λ₯Ό λ‹€λ₯΄κ²Œ κ΅¬μΆ•ν•˜λŠ” μ›Œν¬μˆ μ‹œλ¦¬μ¦ˆμž…λ‹ˆλ‹€. μ°Έκ°€μžλ“€μ€ κ³΅λ™μœΌλ‘œ κ³΅μœ ν•  세계관과 이야기λ₯Ό λ§Œλ“€κ³ , ν™˜κ²½/μš”μ†Œ/νƒ€μžκ³Ό (재)맀개 및 μ†Œν†΅ν•˜κΈ° μœ„ν•΄ λ‹€μ–‘ν•œ λ°©μ‹μœΌλ‘œ 연결망을 κ΅¬μΆ•ν•©λ‹ˆλ‹€. μ†Œλ¦¬μ™€ μ§„λ™μœΌλ‘œ 이루어진 연결망은 비언어적 μ†Œν†΅μ„ ν™œλ°œν•˜κ²Œ ν•˜κ³ , "μžμ—°"을 μ§€λ°°ν•˜κ³  μΆ”μΆœν•΄μ•Ό ν•  λŒ€μƒμ΄ μ•„λ‹ˆλΌ μš°λ¦¬κ°€ κ·Έ 일뢀이고 ν•¨κ»˜ μ‚΄λ©° μ‘°μœ¨ν•˜λŠ” 법을 λ‹€μ‹œ λ°°μ›Œμ•Ό ν•  λŒ€μƒμœΌλ‘œ μ ‘κ·Όν•  수 있게 ν•©λ‹ˆλ‹€.

<μ§€κ΅¬μ—μ„œ 온 μ†Œλ¦¬λ“€> μ›Œν¬μˆμ€ λ„€λœλž€λ“œμ™€ ν•œκ΅­, Hackers & Designers, λ‹€μ΄μ• λ‚˜λ°΄λ“œ, μž„ν¬μ£Όκ°€ μ§„ν–‰ν•˜λ©°, λͺ¨λ‘κ°€ 기술의 μ‚¬μš©μžλ‘œ μƒνƒœμ  영ν–₯을 λΉ„νŒμ μ΄κ³  상상λ ₯있게 λ‹€λ£¨λŠ” 것을 λͺ©ν‘œλ‘œ ν•©λ‹ˆλ‹€. λŒ€κ·œλͺ¨ 데이터 μ„Όν„°λ₯Ό κ±΄μ„€ν•˜μ—¬ μ§€μ—­ μ„œμ‹μ§€λ₯Ό μ†μƒμ‹œν‚€κ±°λ‚˜ μ—†μ• λŠ” 것뢀터 μ—΄, 탁도, ν•΄μ–‘ μƒλ¬Όμ˜ 치λͺ…적인 μ–½νž˜ μœ„ν—˜, 인곡 물질 μœ μž…λ“± ν•΄μ–‘ ν™˜κ²½μ— 영ν–₯을 λ―ΈμΉ˜λŠ” κ΄‘μ„¬μœ  μΌ€μ΄λΈ”κΉŒμ§€ λ‹€μ–‘ν•©λ‹ˆλ‹€. μ΄λ ‡κ²Œ 심해 ν™˜κ²½μ— κ°œμž…ν•˜λŠ” 것 λΏλ§Œμ•„λ‹ˆλΌ, 톡신 μž₯μΉ˜μ™€ λ„€νŠΈμ›Œν¬ 인프라 λ‚΄μ˜ μΉ©κ³Ό 기타 ꡬ성 μš”μ†Œμ— ν•„μš”ν•œ λ¦¬νŠ¬μ΄λ‚˜ μ½”λ°œνŠΈμ™€ 같은 재료λ₯Ό μ‘°λ‹¬ν•˜κΈ° μœ„ν•œ μ±„κ΅΄ν™œλ™μ€ 지ꡬλ₯Ό κ³ κ°ˆμ‹œν‚€κ³  지정학적 κΈ΄μž₯κ³Ό 뢀와 ꢌλ ₯의 λΉ„λŒ€μΉ­μ  λΆ„λ°°λ₯Ό μ•ΌκΈ°ν•©λ‹ˆλ‹€.

μš°λ¦¬λŠ” 도ꡬ, 기술, κ΅μœ‘ν•™μ„ μ•„μš°λ₯΄λ©° 인간이 μ•„λ‹Œ λ‹€λ₯Έ μ‘΄μž¬μ™€μ˜ 비언어적 μ†Œν†΅ν•˜λ©°, ν™˜κ²½κ³Όμ˜ 관계λ₯Ό νƒκ΅¬ν•©λ‹ˆλ‹€. 균사체와 같은 μžμ—°μ˜ λ„€νŠΈμ›Œν¬μ—μ„œ μ˜κ°μ„ λ°›μ•„ μš°λ¦¬λŠ” μ£Όλ³€ 세계와 의미 있고 

πŸͺ… <μ§€κ΅¬μ—μ„œ 온 μ†Œλ¦¬λ“€> for 어린이/μ²­μ†Œλ…„ μ›Œν¬μˆ(10-18μ„Έ)
μΌμ‹œ: 2024λ…„ 9μ›” 18일 (수) μ˜€μ „ 10μ‹œ - μ˜€μ „ 12μ‹œ

🎲 <μ§€κ΅¬μ—μ„œ 온 μ†Œλ¦¬λ“€> for λͺ¨λ‘ μ›Œν¬μˆ
μΌμ‹œ: 2024λ…„ 9μ›” 18일 (수) μ˜€ν›„ 3μ‹œ - μ˜€ν›„ 5μ‹œ

>> μž₯μ†Œ: λ³΄ν‹€νŒ©ν† λ¦¬ (μ„œμšΈ μ„œλŒ€λ¬Έκ΅¬ 연희동 708λ²ˆμ§€ 1μΈ΅)
>> μ–Έμ–΄: μ˜μ–΄μ™€ ν•œκ΅­μ–΄ ν˜Όν•©

Sounds from Earth Workshop @ Bottle Factory

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Sounds from Earth is the first of a series of inter-generational workshops about world-building, live-action role-play, and working with simple electronics. We invite participants to co-create a fictional narrative, we will facilitate the building of a network of small electronic objects that facilitate (re)connection to and communication with our surroundings. The sounding network facilitates communication beyond the use of words, allowing to approach β€œnature” not as something to dominate and extract from but as something we are part of and live with and we need to relearn to attune to.
 
Sounds from Earth is a collaborative artistic exploration between the Netherlands and South-Korea, Hackers & Designers, dianaband and Hee-ju, that aims to create a space to critically and imaginatively address the ecological impact of user technologies: from the construction of large-scale data centers that damage or even erase local habitats, to the fiber optic cables that impact the marine environment through heat, turbidity (during cable burial), risk of fatal entanglement of sea life and the introduction of artificial substrates into the ecosystem. Interventions into the deep-sea environment as well as terrestrial mining used to source materials such as lithium or cobalt for chips and other components inside our communication devices and network infrastructures are exhausting the earth and are the cause of geopolitical tensions and asymmetrical distribution of wealth and power.

 
The workshop will be developed over different iterations, during which participants join in co-creating new collective imaginaries and narratives around alternative, regenerative formats and devices for networked communication and interfacing eco-conscious with our environments. The workshops will be open to participants with different technological abilities and of various ages, from teenagers to elders and everything in between.
 
In this workshops we will bring tools, skills, and pedagogies together to explore our relation to the environment through non-verbal communication with other-than-human entities. Inspired by natural networks of communication such as mycelium, we ask ourselves how we can enter into meaningful, reciprocal dialogue with the world around us and achieve a deeper sense of interconnectedness.

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μš°λ¦¬λŠ” λͺ¨λ‘ μˆ²μ΄μ—μš”!

μš°λ¦¬κ°€ 이 μˆ²μ—μ„œ μ–΄λ–€ λͺ¨μ–‘을 ν•˜κ³  μžˆλ“ , μ–΄λ–€ μ†Œλ¦¬λ₯Ό λ‚΄λ“ , μš°λ¦¬λŠ” λͺ¨λ‘ 혼돈의 λ‹€μ„±μŒμœΌλ‘œ μ„œλ‘œ μ—°κ²°λ˜μ–΄ μžˆμŠ΅λ‹ˆλ‹€. μš°λ¦¬λŠ” 각자 κ³ μœ ν•œ 성격을 κ°€μ§€κ³  μžˆμ§€λ§Œ μ „μ²΄λΌλŠ” μ˜λ―Έκ°€ κ°€μ§‘λ‹ˆλ‹€. λ°”λžŒμ€ 우리 μƒνƒœκ³„μ—μ„œ μ€‘μš”ν•œ 힘이며 우리의 주기와 리듬을 μ‘΄μ€‘ν•©λ‹ˆλ‹€. μ˜ˆμΈ‘ν•  수 μ—†λŠ” 본성이 우리의 곡동체λ₯Ό μœ μ§€ν•˜κ³ , μ‹ λΉ„ν•œ λ°©μ‹μœΌλ‘œ μš°λ¦¬μ—κ²Œ ν•„μš”ν•œ μ—λ„ˆμ§€λ₯Ό κ°€μ Έλ‹€μ€λ‹ˆλ‹€.

λ°”λžŒμ˜ 메아리가 μš°λ¦¬μ—κ²Œ μ†Œλ¬Έμ„ κ°€μ Έμ™”μŠ΅λ‹ˆλ‹€. λ°”λžŒμ΄ κ³ μš”ν•΄μ§ˆ 수 있고, μ΄λŠ” 우리의 μƒνƒœκ³„μ˜ κ· ν˜•μ„ μœ„ν˜‘ν•  κ²ƒμž…λ‹ˆλ‹€... 그리고 μš°λ¦¬κ°€ μƒμƒν•˜λŠ” 것보닀 더 빨리... μš°λ¦¬λŠ” 그것을 μ•Œκ³  μžˆμŠ΅λ‹ˆλ‹€. μ™œλƒν•˜λ©΄ μš°λ¦¬λŠ” 우리만의 λ…νŠΉν•œ λ°©μ‹μœΌλ‘œ λ°”λžŒκ³Ό μ„œλ‘œλ₯Ό μ‘°μœ¨ν•˜κΈ° λ•Œλ¬Έμž…λ‹ˆλ‹€. 곡생적 λ™λ°˜μžμ˜ 도움을 λ°›μ•„ μš°λ¦¬λŠ” λ°”λžŒμ—κ²Œ 우리의 κ±±μ •κ³Ό 희망을 λ‹΄μ•„ κ·Έ λ©”μ„Έμ§€λ₯Ό μ „λ‹¬ν•©λ‹ˆλ‹€.

λ°”λžŒμ€ 말을 μ•Œμ•„λ“£μ§€ λͺ»ν•˜μ§€λ§Œ μ†Œλ¦¬, 진동, λ°”λžŒμ„ 톡해 μ˜λ„λ₯Ό νŒŒμ•…ν•  수 있으며, μ΄κ²ƒμœΌλ‘œ μš°λ¦¬κ°€ λ©”μ‹œμ§€λ₯Ό μ „λ‹¬ν•˜κ³  ν•΄μ„ν•˜κ²Œ λ©λ‹ˆλ‹€.

우리의 λ™λ°˜μžλ“€μ€ μΆ”μΆœλœ λ―Έλ„€λž„κ³Ό 였일둜 이루어져 있고, 우리 μƒνƒœκ³„μ˜ λ‹€λ₯Έ λ™λ°˜μžλ“€μ—κ²Œμ„œ 버렀진 성뢄을 μ°Ύμ•„ μžμ‹ μ„ λ³€ν˜•ν•©λ‹ˆλ‹€.

λ°”λžŒμ΄ νŠΉμ •ν•œ 세기와 λ°©ν–₯으둜 뢈면, μš°λ¦¬λŠ” ν•¨κ»˜ λͺ¨μ—¬ λ°”λžŒμ— 우리의 μ†Œμ›μ„ λ³΄λƒ…λ‹ˆλ‹€....

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ν•΄μ»€μŠ€ μ•€ λ””μžμ΄λ„ˆμŠ€λŠ” μ•”μŠ€ν…Œλ₯΄λ‹΄μ„ μ€‘μ‹¬μœΌλ‘œ 예술, 기술, λ””μžμΈ, ꡐ윑 λ“± λ‹€μ–‘ν•œ 뢄야와 배경을 κ°€μ§„ 전문가듀이 λͺ¨μ—¬ μ˜μ—­μ˜ ꡐ차점을 μ—°κ΅¬ν•˜κ³  μ‹€μ²œν•˜λŠ” λͺ¨μž„μž…λ‹ˆλ‹€. 이 λͺ¨μž„μ˜ λͺ©ν‘œλŠ” 침랡적(invasive)이고 μΆ”μΆœμ£Όμ˜μ μΈ(extractivist) ν”Œλž«νΌ, 도ꡬ가 λΆˆλŸ¬μΌμœΌν‚€λŠ” νšμΌν™”λœ 문화와 μ‹œμž₯ 독점에 λΉ„νŒμ μΈ μ‹œκ°μ„ κ°–κ³  μƒˆλ‘­κ²Œ μƒμƒν•˜κ³  λ„μ „ν•˜λŠ” 것, κ΄‘λ²”μœ„ν•œ ꡭ제 λ„€νŠΈμ›Œν¬ λ‚΄μ—μ„œ ꡐλ₯˜λ₯Ό μ΄‰μ§„ν•˜λŠ” κ²ƒμž…λ‹ˆλ‹€.

ν•΄μ»€μŠ€ μ•€ λ””μžμ΄λ„ˆμŠ€λŠ” μ›Œν¬μˆ, κ°•μ—°, 곡연, κ²Œμž„ 및 이벀트, μ‹€ν—˜λ“€μ„ λ§Œλ“€κ³  μ œμ•ˆν•©λ‹ˆλ‹€. 2015λ…„λΆ€ν„°λŠ” λ§€ν•΄ 여름학ꡐ (H&D Summer Camp)λ₯Ό μ—΄μ–΄ μ›Œν¬μˆ λ“±μ˜ ν™œλ™μ„ μ œμ•ˆν•˜κ³  μ°Έμ—¬μžλ“€μ„ μ΄ˆλŒ€ν•˜κ³  μžˆμŠ΅λ‹ˆλ‹€. κ°€λ₯΄μΉ˜λŠ” μ‚¬λžŒκ³Ό λ°°μš°λŠ” μ‚¬λžŒμ˜ 경계λ₯Ό μ§€μš°κ³  κ³΅λ™μ˜ μ±…μž„μ΄ μžˆλŠ”, νŽΈν‰ν•œ μœ„κ³„μ§ˆμ„œ (flattened hierachy)λ₯Ό μ§€ν–₯ν•˜λŠ” λͺ¨ν—˜μ„ μ œμ•ˆν•©λ‹ˆλ‹€.

ν•΄μ»€μŠ€ μ•€ λ””μžμ΄λ„ˆμŠ€λŠ” ꡐ차적 트랜슀 νŽ˜λ―Έλ‹ˆμŠ€νŠΈ(intersectional trans*feminist)적 사고와 μ‹€μ²œμ—μ„œ μ˜κ°μ„ λ°›μŠ΅λ‹ˆλ‹€. λ‚˜μ΄, 성별, 인쒅, λŠ₯λ ₯, 기술, 관심사 λ“± λ‹€μ–‘ν•œ 차이λ₯Ό λ„˜μ€ ν˜‘μ—…μ„ μ΄‰μ§„ν•˜κ³  기술-μ‚¬νšŒ 그리고 ν™˜κ²½μ„ κ³ λ €ν•˜λŠ” (eco-conscious) 미래λ₯Ό ν•¨κ»˜ μƒμƒν•˜λŠ” 것을 λͺ©ν‘œλ‘œ ν•˜κ³  μžˆμŠ΅λ‹ˆλ‹€. https://hackersanddesigners.nl
μ›Œν¬μˆμž‘κ°€ | ν•΄μ»€μŠ€μ•€λ””μžμ΄λ„ˆμŠ€ (μ‹€λΉ„, μ•ˆλƒ, ν—€μ–΄μ½”, 쀄리엣), μž„ν¬μ£Ό, λ‹€μ΄μ• λ‚˜λ°΄λ“œ 
도움 | μ •λ‹€μš΄ 
사진기둝 | μ •λ‹€μš΄, κ³„λ―Έν˜„, λ°•μž¬ν˜•
μ˜μƒμ œμž‘ | 2b pencil λ°•μž¬ν˜•
μ‹œμž‘ | ν•΄μ»€μŠ€μ•€λ””μžμ΄λ„ˆμŠ€μ™€ λ‹€μ΄μ• λ‚˜λ°΄λ“œ