<λΌλμ€ μλ© ν ν¬> μ΄λνΈ, μν¬μ£Ό, μ΅λ³΄λ ¨ λΌλμ€λ νλ¦μ μκ°μ κ·Έλ¦μ λ΄μ 보λ λλ€. μ°λ¦¬κ° μ€μ€λ‘ μ¬λΌν κ²μΈμ§, μλλ©΄ λ λ°λ €κ°κ³ μλ κ²μΈμ§ λΆκ°νκΈ° μ΄λ €μ΄ κ·Έλ° νλ¦μμ. λΌλμ€μ μ리λ λλ‘λ λ°°κ²½μΌλ‘ λ¬Όλ¬λκ³ , λλ‘λ νμμΌλ‘ λλλ¬μ§λλ€. κ·Έκ²μ μ°λ¦¬λ₯Ό μ°κ²°νκ³ , μ‘°μ¨νκ³ , μκ² λͺ¨λ₯΄κ² λκΈ°νν΄μ¨ μ€λλ μ νΈμ κΈ°μ μ λλ€. βλΌλμ€ μλ© ν ν¬βλ λΌλμ€λΌλ λ―μ΅μ 맀체λ₯Ό κ²½μ νμ¬, μκ°μ κ°κ° μ°κ²°μ 리λ¬μ λ€μ λ¬»κ³ μ ν©λλ€. μ΄λνΈμ λΌλμ€νΌλμλ λΌλμ€λ₯Ό λλ¬μΌ κΈ°μ μ μΈ‘λ©΄κ³Ό μμμ νμ΅λλ€. λΌλμ€λ μΌμ’ μ λΉμ λλ€. κ·Έλ λ€λ©΄ λΉμ λΌλμ€μΌκΉμ? μ΄κ²μ μ‘°κΈ μ΄μν μ§λ¬Έμ΄μ§λ§, λΌλμ€λ μΈμ μμλμκ³ , μ΄λκΉμ§λ₯Ό λΌλμ€λΌκ³ λ§ν μ μμμ§μ λν΄ μκ°ν΄λ³΄κΈ°μ μ’μ μΆλ°μ μ λλ€. κ΄νμ μ νμμ μΆλ°νμ¬, μ€λλ κ΄λ λ° μΈν°λ· λΌλμ€λ₯Ό ꡬμ±νλ κ°μ’ μμ© κΈ°μ λ€, κ·Έλ¦¬κ³ μμ© λΌλμ€μλ λ€λ₯Έ μν°μ€νΈ λΌλμ€μ μ΄λ₯΄κΈ°κΉμ§, μ°κ²°κ³Ό μ°λμ λΉλ―Έλ₯Ό μ 곡ν΄μ¨ λ¬Όμ§μ μ¬λ£λ‘μμ λΌλμ€ μλλ₯Ό μκ°ν©λλ€. μν¬μ£Όμ λ―Έμ§κ·Όν μλ§μ λΌλμ€λ μ°λ¦¬κ° λͺ¨λ μλ λ°λ‘ κ·Έ λΌλμ€μ μ²μ·¨ κ²½νμμ μΆλ°ν©λλ€. 무μΈκ°λ₯Ό λ무 μ’μν΄μ λ£λ κ² λ§μΌλ‘ λ§μ‘±μ΄ μ λλ μ΄μ λ 무μμΌκΉμ? μ°λ¦¬κ° 머무λ μκ°μ 리λ¬μ ꡬμ±νκΈ°μ μ λΉν μ λμ μ€μκ°μ±μ μ΄λ μ¦μμΌκΉμ? νΉμ νμ΄λκΈ° μ λΆν° λ ΈμΆλμ΄μ¨ νΉμ ν μλ¦¬κ° μ°λ¦¬μ μν₯μ 무μμμ ꡬμ±νκ³ μλ κ²μΌκΉμ? νμ€ μΈκ³μ μ§λμΉκ² μΉ¨ν¬νμ§ μλ, λ―Έμ μ§κ·Όν μ€κ°μ§λμ΄μ, μ°λ¦¬μ μλ°ν μλ§μ΄ ννλκ³ , μ λμ ννμ΄ λ³μ‘°λλ λ°λ‘ κ·Έ μ₯μλ‘μ¨ νμ¬ννν λΌλμ€ μλλ‘ μ΄λν©λλ€. μ΅λ³΄λ ¨μ λΌλμ€-μ κΈμ μλ‘κ° μλ‘λ₯Ό κ΄μΈ‘νκ³ λͺ¨λ°©ν μ μλ λΆμ°λ μ²μ·¨ κ²½νμ μ 곡μΈμΌλ‘μ¨ λΌλμ€μ μ£Όλͺ©ν©λλ€. νΉν λ₯μ³μ¬ λ―Έλμ λ³λ κ°λ₯μ±μ κ΄ν μ λ§ λ°νμΌλ‘ μμΈμ°¨μ΅μ λλͺ¨νλ €λ μλλ₯Ό μμ²μ μΌλ‘ μ°¨λ¨νλ λΌλμ€μ κ°μ μ λκΈ°ν λ©μ»€λμ¦μ μκ°νλ©°, μ μμ μΈ μ΄λ€μ΄λΌλ©΄ λΆλ¦¬λλ€κ³ μ¬κΈΈ λ²μ£Όλ€μ ν λ° λ€μλ λΌλμ€ μλλ₯Ό μ μν©λλ€. π¦ μΌμ : 2025λ 5μ 18μΌ μΌμμΌ μ€ν2μ (2μκ° μμ) π¦ μ₯μ : μ¨λΌμΈ/μ€νλΌμΈ μ€ ν - μ¨λΌμΈμ μΈν°λ· λΌλμ€λ‘ λ£κ³ , μΉκ³΅κ°κ³Ό μ±ν μΌλ‘ μ°Έμ¬ - μ€νλΌμΈμ μ°λ£¨λ£¨(νμ μ²λ‘6κΈΈ 33, 2μΈ΅)μμ λ§λλ κ±°
Radio Worlding Talk Radio carries the flow within the vessel of time. That flow which makes it difficult to discern whether we have boarded it ourselves, or are merely being swept along. The sound of radio sometimes recedes into the background, sometimes emerges as distinct form. It is an ancient signal technology that has connected us, tuned us, and synchronised us, knowingly or unknowingly. βRadio Wording Talkβ seeks to re-examine the rhythm of connecting our sense of time through the familiar medium of radio. Dooho's Radiopedia explores the technical aspects and phenomena surrounding radio. Radio is a kind of light. So, is light radio? This is a slightly strange question, but it serves as a good starting point for considering when radio began and how far we can extend the term βradioβ. Beginning with light waves and radio waves, it introduces the material world of radio as a substance that has provided the pretext for connection and solidarity β encompassing the various applied technologies that constitute today's fibre-optic and internet radio, and extending to artist radio, distinct from commercial radio. Im Heeju's Radio of Lukewarm Desire begins with the very experience of listening to radio we all know. Why is it that loving something so much leaves us unsatisfied merely by listening? Where exactly lies the right degree of real-time quality to shape the rhythm of the time we inhabit? Could it be that certain sounds we've been exposed to since before birth constitute our sonic unconscious? We invite you to an open-hearted radio worldβa lukewarm middle ground that doesn't overly intrude upon the real world, where our secret desires are compromised and the waveforms of affect are modulated. Choi Boryeon's Radio-Lock focuses on radio as a provider of a distributed listening experience where participants cannot observe or imitate one another. Considering radio's compulsory synchronisation mechanism, which fundamentally blocks attempts to profit from speculative gains based on prospects of impending future fluctuations, she proposes a radio world that mixes together categories that βnormalβ people would consider separate.
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γγγ o γγγγγo γγγγγ o γγγγγo γγγγ γ γγγ γ γγγ. γγγ. γγγ . γγγγ. The Radio Worlding Series... Proposes diverse activities engaging with βradioβ, born from the idea of constructing a world encircled by radio, through radio, and packed full of radio. When one thinks of radio, the medium of [[radio broadcastingπ»]] naturally springs to mind. β(Plus) π‘The ubiquitousβ radio waves, period!π π(HP+1) Or, as the most fundamental unit mediating listening, radio itself comes to mind.ππππβq𦹠°.πββΛΒ° π«§It is imperative to discuss that which is ubiquitous and can be shared anywhereπ«§. Thus, we propose diverse activities: radio worlding talks and workshops, streaming, performances, and more.
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